Performative Stories
January 15 – March 3, 2026

There are many ways to tell stories. In the interplay between narrative and physical form, there exists a unique category of objects designed not merely to exist statically but to express their full meaning through motion. Such objects offer what can be described as performative stories: narratives that are not only told through words or images but enacted through physical movement and sensory transformation. Performative objects are artworks designed to suggest or incorporate movement, often blurring the lines between sculpture, installation, and performance art. In an exhibition, the movement is largely implied. They have stopped momentarily to be seen and appreciated.
The four artists featured in Performative Stories have created works which provide visual expansion to the art of storytelling, Dan Hurlin, Janie Geiser, Maiko Kikuchi and Jason Gardner employ colorful figures and motion to express varied narratives. As creators, they ask that you as an audience member apply your imagination to complete their presentations.
Co-curated by Leslee Asch and Kate Sheridan Chung
Jason Gardner
Janie Geiser
Dan Hurlin
Maiko Kikuchi
Thursday, January 15, 6 – 8pm, Flinn Gallery
Opening Reception
Saturday, January 17, 2pm, Flinn Gallery
Artist Talk with Jason Gardner and Dan Hurlin
Friday, January 30, 5 – 6:45pm, Flinn Gallery
Art Lounge: Extended Gallery hours prior to Friends Friday Films
Friday, January 30, 7:00pm, Berkley Theater
Friends Friday Films: Lotte Reiniger’s The Adventures of Prince Achmed (1926)
Sunday, March 1, 2pm, Flinn Gallery
Artist Talk with Janie Geiser and Maiko Kikuchi
Animated Storytelling: Simple Steps for Creating Animation & Motion Graphics by Liz Blazer, 2016
Collage: The Making of Modern Art by Brandon Taylor, 2004
Out of the Shadows: The Henson Festivals and Their Impact on Contemporary Puppet Theater by Leslee Asch, 2020
A Century of Stop Motion Animation, From Méliés to Aardman by Ray Harryhausen, 2008
Dawoud Bey on Photographing People and Communities by Dawoud Bey, 2019